Full DI service for RED ONE, EPIC 60% off. OUR ENTIRE BUSINESS MODEL IS BASED AROUND INDIE FILMS AND GETTING THEM ALL THE WAY THRU POST AT A MASSIVE DISCOUNT. INDY RATES: We can generally save filmmakers 50-60% across the board in all post costs. In some cases - more! LA POST SERVICE SPECIAL -- Documentary special. WE CAN and WILL BEAT ANYONE’S PRICE ON YOUR POST NEEDS FEATURE FILMS /COMMERCIALS/ MUSIC VIDEOS We have unbeatable offers for post services across the board if you’re struggling to meet your post budget. “The owners of Digital Post Hub are film-makers themselves and we understand the high costs of post production and the current state of the economy, in which independent film-makers are constantly looking for high quality services at affordable rates. Whether it’s a short film or a full length feature we have a unique opportunity to take your project to the very best quality picture and sound within your budget.”
A vast array of state-of-the-art equipment. Specialists in RED ONE + EPIC™ and can handle all digital workflows HD formats Sony, Viper, Genesis etc. Color Timing DIGITAL INTERMEDIATE. Our timers have thousands of hours of experience as well as a passion for the craft of filmmaking.
2k or 4-k Finish and Color Correction on Autodesk Lustre Digital Color Grading System for work on SD, HD and 2K projects. 2k/4k HD Coloring (DS Nitris), full 5.1 (encoded) sound for theatrical release. Don't think you can afford to shoot film? Ask us, we are the BEST Telecine deal in town.
Post production to film out, HD mastering and digital cinema encoding. These masters can serve as the source for your digital intermediate conform, color grading and film out. Digital Cinema Distribution Master (DCDM) If you are not ready for your filmout, you can walk away with a high quality, film-image-accurate, digital master that you can use for film festivals, investor screenings or a direct-to-video release. High quality, full-range scan, captured from day one, can put your film on the road to distribution with pristine, uncompromised images that can help you showcase your film in the best possible light. The Cinevator a real-time digital film recorder .Record out to film negative for 50% of the average quoted price – guaranteed. WE can handle your film-out process for the ever increasing amount of digital intermediate
5.1 Surround Sound - Premix and Final Mix: w/ in a 500 seat Dolby certified theater
Three individual monitoring environments, including a 5.1 transfer room and a six-track capable ISDN receive room feature the ability to access our central equipment room, as well as all equipment in our studios and Video transfer department. We are equipped to handle a wide variety of analog and digital audio formats, including Pro Tools®, 2-inch analog, 35mm Mag, as well as many others. We also have a 35mm optical Westrex camera capable of Dolby® 5.1 digital, DTS® and stereo analog soundtrack creation. Video formats to which we can lay back include DigiBeta, Beta SP, 3/4-inch, and DVCam®, among others.
feature film and tv (5.1 and stereo) mixing stage with video projection ams/neve dfc-gemini mixing console with over 280 inputs playback - akai dd8, digidesign protools recorders - digidesign protools hd additional recording devices - dolby dmu, digibeta other formats available upon request including dolby-e encoding WE ALSO OFFER:
1. Mastering / Full HD on D5 / NTSC Digi Beta: 2. Audio Laybacks 3. Trailer Edit: 4. 4 X 3 Pan and Scan: NOT a Center Cut. 5. Main / End Titles: All at incredibly low rates.
Please email us with your post productions requirements and budget and we will be back with a quote in 24 hrs.